THE JEWELLER’S ART
James Taffin de Givenchy comes from one of fashion’s grandest families but his use of gemstones is more original than traditional. Melanie writes a profile for The Economist.
James Taffin de Givenchy comes from one of fashion’s grandest families but his use of gemstones is more original than traditional. Melanie writes a profile for The Economist.
Snug suits and turtlenecks for the brooding modern flâneur.
Inspired by aeroplane cockpits, Bell & Ross combined rubber and black ceramic to stunning effect.
Trading second-hand clothes has become big business among the young. The shopping revolution is here.
Six outrageous perfumes to seduce the senses.
Will French savoir-faire transform Aussie cobber-clobber into the height of urban sophistication?
Melanie meets the enamel masters Vacheron Constantin for her luxury column at The Economist.
Awesome sound is now wireless and if you want a disco in your front room you don’t have to be a geek to buy one.
How the provenance of rare stones carries the drama of history…
Knuckle-dusters to knock you out.
Eleven reasons to get your best jewels out for breakfast.
In 2016 Dolce & Gabbana stamped lemons on fabric in homage to their Sicilian heritage and now high jewellery citrus is next.
Complications inside needn’t mean complications outside.
Millennials have rediscovered brooches which is why sales are booming but can designers dispense with their stuffy reputation and create something modern and meaningful?
Real jewellery, imaginary people.
Chronographs are stop watches on the wrist and modern mechanical watch making has taken them beyond functionality and into the realm of status symbol.
Rose gold isn’t a modern invention despite the recent fanfare. It had a moment in 19th-century Russia when Fabergé added it to his eggs and then in the jazz age with Cartier crafted a portion of their Trinity bands out of it.
Chronographs are stop watches on the wrist and modern mechanical watch making has taken them beyond functionality and into the realm of status symbol.
Memento Mori meets Modernism in this Caravaggio riff.